Best RME Audio products in the Audio interfaces category
On this page you'll find a ranking of the best RME Audio products in this category. To give you a quick overview, we've already ranked the most important information about the products for you.
1. RME Audio Babyface Pro FS
The RME Audio Babyface Pro FS is a state-of-the-art audio interface designed for professional applications in music production and audio technology. With 24 channels, including 12 input and 12 output channels, it offers a variety of connection options, including analog inputs and outputs as well as digital interfaces like ADAT and SPDIF. The aluminum block construction not only provides an appealing look but also ensures high stability and durability. The innovative technology enables outstanding sound quality that makes no compromises even in demanding applications. The integrated microphone preamps offer high gain and are equipped with digital control, allowing precise adjustment of phantom power. The Babyface Pro FS is therefore ideal for musicians, sound engineers, and producers who value the highest audio quality and flexibility.
- 24 channels with 12 input and 12 output channels
- High-quality analog and digital circuitry for excellent sound quality
- Digital control of phantom power for microphone inputs
- Independent amplifier stages for headphone outputs, suitable for various impedances
- Compact and robust aluminum construction for maximum mobility and durability.
2. RME Audio Fireface UCX II
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live use. With up to 20 recording and 20 playback channels, SteadyClock FS, powerful microphone inputs, integrated parametric EQ, USB Direct Recording, and full stand-alone functionality, the brand-new Fireface UCX II embodies the essence of freedom, flexibility, and passion.
No other audio interface currently offers more connectivity and functionality in a half-rack format. Connection options: 20 Inputs / 20 Outputs, 8 x Analog I/O, 2 x Mic/Line Preamps (digitally adjustable), 2 x Line / Instrument Inputs (digitally adjustable), AES/EBU and SPDIF I/O, ADAT I/O, Wordclock I/O (switchable), MIDI I/O, USB 2.0 (USB 3 compatible).
3. RME Audio RME Fireface 802 FS AE
The new model impresses with its elegant dark design, inspired by the successful ADI-2 series. The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions, including 60 audio channels, high-end microphone preamps, reference-class converters, a complete electronics section, and operation at up to 192 kHz. Active jitter suppression with SteadyClock FS, DC-coupled outputs for all eight analog line outputs, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, the metering and analysis toolbox DigiCheck, as well as identical operation on Windows PC and Mac complete the package. The feature set also includes the optional Class-Compliant mode (full 30-channel I/O at up to 192 kHz) and operation with TotalMix FX for iPad. RME's app for complete control of the Fireface 802 FS AE from the iPad allows full control of the device - entirely without a computer. The alternative CC mode can be easily activated via a recessed button on the back of the interface. Control of TotalMix FX, including the latest Room EQ function, is now also possible - thanks to the USB-A port for direct connection of the optionally available ARC USB or ARC USB (Black Edition).
4. RME Audio MADIface USB
Perfect MADI mobility and more! The compact MADIface USB offers MADI In/Out via USB 2.0, with the full channel count of 64 inputs and outputs on both Mac and Windows. For redundant operation, both inputs can be utilized. Alternatively, both inputs can be used simultaneously, providing full access to 128 channels in and out, mixed and routed through TotalMix. Even without a computer, this small box delivers exceptional quality as a bidirectional format converter and active repeater. Its robust construction and USB power supply make it as easy to use as it is reliable in application. The MADIface USB is the optimal solution for mobile MADI use as well as a perfect desktop solution for PC and Mac. A true gem in flexibility, utility, and stress-free operation - just as you would expect from RME. Connections for Record/Playback: 64 channels In/Out each, 2 x MADI I/O (optical and coaxial), TotalMix, no external power supply required, operation possible without a computer, redundancy mode.
5. RME Audio Fireface 802 FS
The Fireface 802 FS is a highly integrated pro-audio solution for live and studio use in a 19" chassis. It is an interface for users who do not want to compromise on sound, stability, and extremely low latency, and who are looking for an unparalleled professional feature set. Once again, it is a milestone among RME interfaces, featuring the best of the best and a little bit more.
With 60 audio channels, high-end microphone preamps, reference-class converters, a complete effects section, and operation at up to 192 kHz, it serves as the foundation for many additional features.
6. RME Audio Digiface AES
The RME Digiface AES is a professional, bus-powered USB 2.0 interface with 14 input and 16 output channels. It features 2 analog mic/line universal input channels and 4 analog output channels (2 XLR, one TRS), complementing the digital I/O section. The extensive digital inputs and outputs, centered around an AES/EBU input and an XLR output, also include SPDIF Coax, SPDIF Optical, or 8-channel ADAT. All inputs and outputs can be used simultaneously, making the device a versatile interface that receives and sends all common digital audio formats.
An integrated SRC (Sample Rate Converter) can be switched to one of the three inputs to resolve clock issues and adapt to different sample rates. With SteadyClock FS, full standalone operation, and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analog sources, as well as for flexible playback/monitoring via TotalMix FX.
7. RME Audio ADI-2 FS
The ADI-2 FS is a compact yet highly flexible 2-channel high-end AD/DA converter. The device offers top-notch AD/DA conversion to/from SPDIF, AES/EBU, and ADAT in a half 19-inch chassis, with support for up to 192 kHz. Its ability to handle SPDIF, AES/EBU, and ADAT equally provides it with outstanding compatibility. Whatever it is - just plug it in!
Balanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal converter performance, a 3-stage hardware adjustment for input and output levels, as well as the additional D-D and A-A modes make the ADI-2 FS a universal tool and versatile problem solver, which, with its exceptional sound quality, also serves as a complement to other high-quality converters.
8. RME Audio Hdspe Madi
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.
The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.
Compared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher sample rates than 96 kHz, more features in TotalMix (phase and internal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.
HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES/EBU frontend with 64 channels is available.
On a powerful PC/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.
9. RME Audio Fireface UFX II
30 input / 30 output channels
12 x Analog I/O
4 x Mic/Instrument preamps (digitally controllable)
1 x AES/EBU I/O
2 x ADAT I/O (or 1 x ADAT I/O plus 1 x optical SPDIF I/O)
1 x Word Clock I/O
2 x MIDI I/O
1 x USB 2.0
TotalMix FX
Optional: Advanced Remote Control USB
The Fireface UFX II is an audio interface with 60 audio channels, allowing for the transfer of analog and digital audio data from virtually any source in the highest quality directly to your computer. With sample rates up to 192 kHz, the ability for direct USB recording (DURec), and PC or Mac-independent flexibility through the USB connection, the Fireface UFX II is the ideal solution for a wide range of applications in producing, recording, and mixing.
Numerous unique features, well-thought-out settings dialogs, an outstanding and incredibly flexible mixer and monitoring solution, professional DSP effects, and excellent analog circuitry with the latest digital converters place the Fireface UFX II at the forefront of all computer-based audio interfaces.
10. RME Audio RME Digiface Ravenna
A lightweight, mobile audio interface based on the proven Digiface Dante, equipped with a RAVENNA module developed by DirectOut. It combines everything RME is famous for: USB 3, MADI, TotalMix FX, and outstanding options in both USB and standalone operation. The combination of RME's renowned drivers (Mac/Windows) and DirectOut's RAVENNA implementation provides a reliable and flexible computer audio interface in the network.
With TotalMix FX, not only is flexible routing possible, but as many independent submixes can be created as there are outputs available. The high-quality headphone output allows for quick playback of all audio channels or can be used as a line output for an additional analog stereo mixdown. RME has made the two BNC connectors for Wordclock I/O switchable to MADI I/O, supporting up to 64 channels. The sum of Ravenna and MADI, 128 channels, is transmitted via USB 3.0 and managed through the included RAVENNA web server or RME's TotalMix FX, providing full and hassle-free control over all audio signals.
On the network side, the interface features a fully-fledged RAVENNA stack with AES67 and ST2110-30/31 support, as well as redundant audio-over-IP streaming according to ST2022-7. Additionally, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors can also be configured as Wordclock sync I/O.
