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Florian Bodoky
Product test

Sony ULT Wear – testing a bass monster

Florian Bodoky
11/4/2024
Translation: Patrik Stainbrook

Sony’s ULT Wear headphones aim to appeal to a younger audience with a bass-heavy sound signature and modern design. They’re positioned in the upper mid-range segment. Read on to find out whether the attempt is a success.

Sony’s new device series is called ULT. In addition to speakers in three different sizes, Sony has developed the ULT Wear over-ear headphones. The Japanese company borrowed the term ULT – an unusually simple name by Sony standards – from K-pop youth slang. It stands for Ultimate, symbolising perfection and the final, greatest achievement. Sony wants to live up to this motto with the ULT Wear, targeting younger customers with a new, very bass-heavy audio signature.

Additional focus on bass: how does it change music?

Balance: an equilibrium of sound isn’t its strong point

My first test track is called Wilderness by Explosions in the Sky. It covers a very wide section of the frequency range, everything from low bass to treble is present.

You can hear the percussion in the lower sound range, while the guitars swing into higher realms. There are no vocals. I notice that the low-end is dominant. The guitars can separate themselves well from it, and the overall reproduction is very clean. But the ULT Wear makes no secret of what it’s intended for.

Mids: warm and harmonious

In the mid-range, the ULT Wear Sony is characterised by a lot of warmth.

The clear, distinctive vocal line stands out in Helplessly Hoping, adding harmony to the track. Low frequencies also play their part here – they give the vocals more space. If you listen to the same song with the current Sennheiser Accentum, however, you realise that the dominant bass range robs a lot of clarity.

Bass and ULT mode: not for me

I test the bass with Tokyo Drift by Teriyaki Boyz.

In short: not my cup of tea.

Phone calls: weaknesses evident in the microphones

It’s clear the ULT Wear isn’t in the same league as the WH-1000 XM5 when making calls. While the sound is still just intelligible in quiet surroundings – albeit somewhat distorted and tinny – it’s no longer really audible in a lively environment.

This was also evident in my practical test. So you can judge the level of intelligibility for yourself, I’ve linked two listening tests.

The upper one in a quiet environment, the lower one in a noisy one.

Haptics and handling: Sony relies on the tried and true – and does everything right

You can tell straight out of the box that the ULT Wear is going in a different direction to the classic WH-1000 series. It’s dark all over. The headphones stay in the shadows, while the colourful ULT Power Sound logo comes to the fore. The sturdy, attractive fabric case is also included again. Sony also includes a USB-C to USB-A charging cable and a 3.5-millimetre jack.

The headphones themselves are very reminiscent of the WH-1000 XM4. The ear cups, the arrangement of the buttons and – drum roll – the foldability. Sony faced quite a bit of scrutiny when its last flagship headphones, the WH-1000 XM5, launched without the feature. Another positive – the aluminium headband is again adjustable in several steps.

Thanks to its lightness, you can also use the ULT Wear during physically strenuous activities. But be careful: Sony doesn’t provide any information on the IPX rating, i.e. water and dust resistance. Even though the WH-1000 headphones all have an IPX4 rating, better to assume the ULT Wear doesn’t like water.

Sony is hard at work with the app

The Sony Connect App offers a lot of exciting features for fine-tuning the ULT Wear. Ambient Sound Control, for example. It not only automatically adapts the sound to your environment – by turning up the volume in noisy surroundings, for example – but also remembers your habits. When do you use ANC, when not, and so on.

There’s also DSEE, short for Digital Sound Enhancement Engine. This technology is designed to make highly compressed formats sound better.

The equaliser has various presets – for voice, party mode and so on – but also a manual five-band EQ to individualise sounds between 400 hertz and 16 kilohertz. There are also two controls for the ULT mode: one to adjust the bass up and down and a second to emphasise the lower low-pass range.

A low-pass filter blocks or at least attenuates frequencies above a certain limit. If you make it particularly strong, mids and highs disappear even more than they already do with Ultra mode. If you want, there’s also a setup called Find my Equalizer, which checks what you like then makes individual settings for you.

Last but not least, there are some minor settings. Activate multipoint, deactivate or individualise touch controls on the headphones or control wearing detection. The headphones will then pause when you put them down.

Long-lasting battery: lovely

In a nutshell

If you want bass – a lot of bass

My feelings about the ULT Wear are somewhat mixed. The sound quality is good, no doubt about that. Expect quality similar to other headphones in the upper mid-range segment here. It works quite well for audio streaming. However, the idea behind ULT Mode isn’t entirely clear to me. I wasn’t convinced by the uncontrolled bass.

Noise cancellation, on the other hand, is strong, a Sony hallmark. Even if it doesn’t help much when making calls with the rather weak microphones. The person on the other end might struggle. The battery also makes me happy. Still, actually recommending it is tricky – even if you’re a Sony enthusiast. So, here’s my tip: try them out in a store. You’ll know within a few minutes whether the ULT Wear is what you are looking for.

Pro

  • good design
  • great battery performance
  • superb noise cancelling

Contra

  • quite bass heavy
  • weak mic
Header image: Florian Bodoky

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I've been tinkering with digital networks ever since I found out how to activate both telephone channels on the ISDN card for greater bandwidth. As for the analogue variety, I've been doing that since I learned to talk. Though Winterthur is my adoptive home city, my heart still bleeds red and blue. 


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